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    Amalie Jakobsen

    Untitled #10 is comprised of four green rectangles placed on the wall. The work has nothing to do with rectangles; nothing to do with green. But between these rectangles, this green color and this wall you may find yourselves aware of your own desires and expectation of what might or should be there.
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    Christine Overvad Hansen

    I work in the field between sculpture and performance. I'm very interested in the ‘interoperability’ between materials, and I work with a spectrum of materials ranging from clay to metal. During my performances, I construct sculptural and mechanical structures, from these materials.
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    Ditte Knus Tønnesen

    Constructing and deconstruction of a whole - a whole which is ones understating of nature as well as the photographic medium. My motifs is centered around the borderline of wild nature meeting mans manipulation of the same. And how this structural changes in the landscapes cause by the ...
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    Nanna Riis Andersen

    Nanna Riis Andersen combines drawings and objects into installations, exploring the limits as well as the possibilities of the organic body. Among sources and references are elements from themedical field, such as instruments, treatment and surgery, all woven together into abstract, fragmented shapes.
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    Astrid Myntekær

    Astrid Myntekær constantly tests, challenges and refines materials and technologies in new contexts and compositions. She establishes both sculptural and performative links between hacked objects and stoned materials from the local DIY shop. Myntekær lets pulses of experimenting sub cultures vibrate ...
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    Dan Stockholm

    Dan Stockholm primarily works with sculpture and objects. Using a mix of studio and field praxis he utilizes a method of creative archeology that involves traveling, researching and the collecting of various materials. Activation, reactivation and transformation of the collected material is often a part of his ...
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    Johanne Skovbo Lasgaard

    In my practice, the materiality in itself is a narration. The language of the material contains possibilities of a certain kind of recognition, which arebrought forth via the meditative aspects of the process which therefore is a kind of existential research.My work is registered in the body and the work is anextension...
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    Valérie Collart

    We are surrounded by images today and we increasingly see things through images, therefore they become an integral part of the experience we have of things. Simulacrum is part of our contemporary life. Questioning the immediate appearance, challenging our perception of what is real ...

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