In my artworks I relate to a number of cultural and sociological aspects. The main inspirations and fascinations oscillate around ornament and decoration in a broad sense, which often take surprising and non-obvious form. The main issue for me is finding the applications in which the ornament is no longer ...

I create drawings, paintings, objects, installations, poetical works, conceptual art. My art is mainly inspired by themes in the field of geography, science-fiction, sociological fiction and futurology. I am interested in relations in the line people – space – time. How we perceive space, how we move in ...

I combine elements of traditional painting with contemporary street art influences. My works display fascination with the art of calligraphy and writing which I interpret as a vehicle of somewhat vague communicative quality. I avoid communicating by means of well-established and ...

It's hard to say why I’ve started practicing art. For me it is the question at the same level of difficulty as the question of what is art in general. I see itas a way of communication, but also a way of creating something new. I believe that knowledge comes through experience. I make art and I learn through the process ...

In my artistic experience I mostly combine objects, graphics and texts. In general, everyday life is what gives me an inspiration. I try to do artworks that have a lot in common with everyday life. My works are often based on a plot that sometimes is derived from the life itself.

I am working mainly with various drawing media and acrylic painting.In my drawings and paintings I developed simple, clear and realistic style, it’s always figural.
Most of my narrative drawings tell true stories about my own life. I create a private diary, wherein by drawings and created ...

I look at the reality as a language, at merging of the speech with the background of everyday life. The prozac of life. I tell stories built of the common elements, so the speech and text would loose their transparency and phantoms conjured by language and matter may emerge.

The great importance for the development of my way of working and my attitude towards painting had the studies at the Faculty of Conservation and Restoration of Works of Art at the Academy of Fine Arts in Warsaw and my work as an art conservator in the National Museum of Warsaw and the King John’s III ...